Cinematography and Storytelling

Abstract

In this study, pictures and their properties are examined as instruments of storytelling. Cinematography is generally utilized to generate style and to give the film a characteristic appeal. But in some instances, images actually influence the narrative itself in ways that can re-orientate the plot, and at times, entirely modify it. The essence of the story can emerge from observation and introspection, as opposed to a plot built in a cause-and-effect arrangement. In this study, images and their properties are examined as potentially the sole instrument of storytelling. The analysis focuses on the sensuous characteristics of on-screen pictures that can be considered alternative footage, connecting shots, or intercuts and how they generate meaning. In this perspective, the story emerges as implicit, with a non-representational approach to filmmaking, in the manner poems utilize metaphors. However, this does not necessarily imply the absence of narrative. In this regard, the concept of time-image—image infused with time—is fundamental: a picture embeds connections to other time and space modules. If the story and the images of the film are intricately intertwined, in a relation of sounds, visuals and emotions, the balance between the two roles can be manipulated, resulting in a different approach to filmmaking. In this configuration, the similarly secondary elements of the story become the main narrative mechanism, through the simultaneous experience of viewing, feeling and interpreting.

Keywords: Film, Cinema, Image, Cinematography, Narrative, Storytelling

DOI: 10.7176/RHSS/11-20-03

Publication date:October 31^st 2021