Regenerative-Relational Tritangtu : Sundanese Tritangtu Transformation as Local Wisdom on Indonesia
Abstract
Tritangtu or a trinity mindset is Sundanese and Minang communities cosmologist that consist of three entities (three patterns). According to Jakob Sumardjo at the primordial community either Sundanese, Minangkabau, Batak, Malay, Nias, Mentawai, Madura (moor), Nusa Tenggara, South Moluccas, Dayak, North Sulawesi, Central Sulawesi, South Sulawesi occupies the Upper World as entity that has women principle and Under World has men principle, the marriage consequence or harmony both occupies the human Middle World differently. In the Sundanese community, the Upper World occupy the trinity Focus, while the Minang community focused on the Middle World. From the field research, tritangtu as the local wisdom was also underlying the creative actors mental structure on making the work either in the form of performance, artifacts philosophy value and other cultural product in Indonesian community. Tritangtu on the culture and art education in West Java was discoursed as the primordial community mindset while the contemporary community also have the trinity mindset in the other form with three similar entity.This study used ethnographic methods with data collection techniques were participant observation, in-depth interviews and documentation. The object of study is the creative actors practice at the design field in Bandung.The results of study pointed out the Sundanese tritangtu transformation from the permanent structure to dynamic structure. Changes in the structure is determined by the relation between the design elements forming structure with the global market segmentation. Lending the Sunda identity marker especially the folk culture or the past traditions as regenerative effort in the attempt to harmonize the three patterns on encountering and won a free-market competition in Indonesia
Keywords: Tritangtu, Sundanese, Local Wisdom, Indonesia, Tritangtu Transformation
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ISSN 2224-6061 (Paper) ISSN 2225-059X (Online)
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