Clay Panicum Maximum Integration, An Artistic Conjecture in Ghana

Abstract

This piece of writing is on clay panicum maximum integration for flower vase production, as the cultural presupposition in Ghana. In discussing the paper, some attempts have been made to examine the nature and dynamics of traditional pottery and basketry works from panicum maximum, as well as their appreciation as human achievement. There is also a general   overview on clay work and panicum maximum work in Ghana, outlining in particular where they are found, and the varieties that exist. The authors maintained that clay panicum maximum integration is a self-motivated and adoptable process which has a social heritage component as well as a religious height. Some of the assumptions drawn are that clay panicum maximum integration is a component of our integrated systems and tradition, but has undergone noteworthy variations over the past decades.

Keywords: panicum maximum, dyeing, clay pot, decoration and integration.

DOI: 10.7176/ADS/97-01

Publication date: December 31^st 2021