Ethnic Symbol Development within Lyric Passayang Sayang Mandar

Abstract

The objectives  of this research is to find  out and describing (1) the use of ethnic symbols  in  period 1960-1970  within lyric  Passayang-Sayang Mandar, (2) the use of  ethnic symbols  in  period 1970-1980 in Lyric Passayang-Sayang Mandar, (3) The use of ethnic symbols in period 1980-1990 within Lyric Passayang-Sayang Mandar, (4) The use  ethnic symbols in period of 1990-2000 in Lyric Passayang-Sayang Mandar, (5) The use of ethnic symbols in  period 2000-2010 in Lyric Passion sayang Mandar, and (6) The use of  symbols ethnic  in  period 2010-2020 in Lyric Passayang-Sayang Mandar. This study applied an oral historiography theory advocated by Thompson, Michelet, and Hutomo. This study is a qualitative descriptive. The data of this study is text form of  Passayang-Sayang Mandar, informant assertion, and facts on the field. Data collection are conducted with observation techniques, in-depth interviews, and recording. In this study researcher as an instrument key by using data collection guidelines. Data analysis usage spiral models procedure, while data analysis applied of Agih method. To avoid the bias data, it was triangulated to each stage of research, research tool, clarification of research findings to the informant as the owner of Lyric, Focus Group Discussion, external audit. The research finding are the development of  symbols ethnic  within Lyric  Passayang-Sayang Mandar, have (22) ethnic symbols found in period of 1960-1970 years, (17) ethnic symbols  found period 1970-1980, (10) ethnic symbols  found in period 1980-1990, (18) ethnic symbols found in period 1990-2000, (25) ethnic symbols  found in period 2000-2010, (22) ethnic  symbols were found in period of 2010-2020.

Keywords: oral historiography, ethnic symbols.

DOI: 10.7176/RHSS/10-8-02

Publication date: April 30^th 2020