Thematic Analysis of Op. 37 3. Piano Concerto by L. v. Beethoven: The Third Movement Consisting of the First Movement

Abstract

In this study, unique personality of Beethoven and its reflection on his music are discussed based on Op. 37 3. Piano Concerto. Concerto was analyzed in line with his innovative approaches, which are more evident especially in his second period works covering the years 1801-1814; therefore, thematic mastery, which is clearly predictable, was analyzed. In the light of these, it is aimed that this study will be a guide for musicians who want to learn about the concerto and improve themselves in this field.

Keywords: L. v. Beethoven, Piano, Concerto, Theme, Analysis

DOI: 10.7176/ADS/95-02

Publication date:September 30^th 2021