Voice Lending in the Aesthetics of Yoruba Films: An Examination of the Track Music in Egbogi Oloro
Abstract
Tracing the historical development of the film as a literary genre shows that sound, which initially was absent in its production, has come to stay as a means of synchronizing and complementing pictorial actions; such that the attention of the viewer is fully attracted.
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ISSN (Paper)2224-3267 ISSN (Online)2224-3275
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