| Issue | Title | |
| Vol 76 (2019) | Thinking the Work of Craft as City’s Identity Case Study: Special Region of Yogyakarta, Indonesia | Abstract PDF |
| Alvi Lufiani, Setiawan Sabana, Andryanto Rikrik Kumara, Yan Yan Sunarya | ||
| Vol 90 (2021) | To Use or Not to Use: Analysis of ICT in the Ideation Process of Graphic Design in the Senior High Schools | Abstract PDF |
| Anita Akwaa Toffah, Edward Appiah, Albert Boamah | ||
| Vol 12 (2013) | Towards Solving Traffic Problems using Graphic Design Visuals in Multicultural Societies: A Case Study of Selected Cities in South Western Nigeria. | Abstract PDF |
| OLADUMIYE E. BANKOLE | ||
| Vol 11 (2013) | Traditionalism in Contemporary Art: Re-contextualizing African Ideographs through Hybrid Aesthetics | Abstract PDF |
| Clement Emeka Akpang | ||
| Vol 15 (2013) | Traditional Pottery Raw Material Formulation: The Theoretical Basis of Practice | Abstract PDF |
| Chris Echeta | ||
| Vol 16 (2014) | Traditional Residential Architecture in Cairo from a Green Architecture Perspective | Abstract PDF |
| Nermine Abdel Gelil Mohamed, Waleed Hussein Ali | ||
| Vol 21 (2014) | Tradition Concept in Kauman Yogyakarta Settlement As A Representation of Javanese Cultural Values | Abstract PDF |
| Cama Juli Rianingrum, Agus Sachari, MSn, Pribadi Widodo, MSn. | ||
| Vol 22 (2014) | Traditional Ingenuity in Ghanaian Atumpan Drum Construction (From Locally Obtainable ‘Cordia Millenii’) | Abstract PDF |
| Agbeyewornu Kofi Kemevor | ||
| Vol 34 (2015) | Traditional Igbo Building Architecture: An Historical Perspective | Abstract PDF |
| Joseph .C. Chukwu | ||
| Vol 34 (2015) | Traditional Method of Checking Corruption in the Pre-Colonial Igbo Society | Abstract PDF |
| J. C. Chukwu | ||
| Vol 110 (2024) | Transformation Aesthetic Structure Pucuk Rebung Pattern from Siak Sri Indrapura Weaving 1900 and 1940 | Abstract PDF |
| Tengku Ghassany, Acep Iwan Saidi, Yan Yan Sunarya, Dyah Gayatri Puspitasari | ||
| Vol 48 (2016) | Transitions of Videography in Shadow Puppetry | Abstract PDF |
| Ranang A.S., Handriyotopo . | ||
| Vol 40 (2016) | Translating the Ideas of the Artist as a State of Uncommon Awareness: The Eternal Creator of Space and Time beyond Canvas Appeal | Abstract PDF |
| Yibowei, Zeekeyi Denison | ||
| Vol 82 (2020) | Types and Roles of Models in Adaptive Architecture | Abstract PDF |
| Marie Ulber, Mona Mahall, Asli Serbest | ||
| Vol 32 (2015) | Typology of Forms of Painting in Nigeria | Abstract PDF |
| Razaq Olatunde Rom Kalilu, Johnson Adelani Abodunrin | ||
| Vol 99 (2022) | Uncanny in the Horror Film: A Reconstructive Study of the Digital Puppet, Ondel Ondel | Abstract PDF |
| Ferric Limano, Yasraf Amir Piliang, Irma Damajanti, Rismiyati E. Koesma | ||
| Vol 23 (2014) | Understanding the Furniture Design Process in Ghana | Abstract PDF |
| Kennedy Newton Nutassey, Isaac Agyei-Boakye, Ebenezer Quayson | ||
| Vol 16 (2014) | Urban Housing Issues in Nigerian Cities: A Case for Real Estate Maintenance as a Sustainable Option for Trans-Ekulu Housing Estate, Enugu, Nigeria | Abstract PDF |
| Kingsley Efobi, Christopher Anierobi | ||
| Vol 32 (2015) | Use of Media by Contemporary Nigerian Artists to Develop Metaphoric Concept in Painting | Abstract PDF |
| JOSHUA, John Oyedemi, ONOJA, Jacob Enemona | ||
| Vol 76 (2019) | User Interface Review on Digital Magazine: A Case Study on Femina | Abstract PDF |
| Ariani Wardhani | ||
| Vol 19 (2014) | Utilization of Arabic Calligraphy to Promote the Arabic Identity in Packaging Designs | Abstract PDF |
| Noha A. Mohamed, Khaled T. Youssef | ||
| Vol 23 (2014) | Utilization of Wood Ash from Rice Husks in Firebricks Production | Abstract PDF |
| Ali Vincent Egwu | ||
| Vol 94 (2021) | Utilization of Colour for Visual Representation of Nature, Form, Space and Time | Abstract PDF |
| Isaac Ossei Agyekumhene, G. Y. Annum, Emmanuel Antwi | ||
| Vol 44 (2016) | Utilizing Adobe Illustrator's Blend and Transform in Designing Op-Art Items | Abstract PDF |
| Randa Darwish Mohamed | ||
| Vol 16 (2014) | Vegetable Tanning in Bolgatanga: Challenges and the Way Forward | Abstract PDF |
| Rolland Wemegah | ||
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